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Rebooting
Bond
by Mike-oh

Daniel Craig was given a liscense
to kill all other James Bonds.
Casino
Royale. In 1952, Ian Fleming began writing Casino
Royale, a pulpish spy novel that was driven by the force of
its main character, James Bond. In 1962, Fleming's Bond would thrill
movie goers in the first of a long run of classic action films.
That first film was titled Dr. No and featured the incomparable
Sean Connery in the role of his life. It introduced audiences to
a Bond that was already a seasoned pro. If anyone wanted to know
about Bond's background and history, they had to pick up Fleming's
novels. The next movie continued on a path going forward instead
of looking back. This trend continued for the next 44 years. Until
now.
Casino
Royale has finally brought James Bond's personal story to the
big screen. It is, in many ways, like Frank Miller's Batman:
Year One. It drops all the baggage of previous Bond movies
to tell the story of how James Bond got his start. Moments of his
past only hinted at before are played out completely in Casino
Royale.
The
movie starts with a very stylish black and white sequence where
Bond makes his second official kill. Apparently it takes to kills
to become a "double 0", as in "double 0 seven."
This
James Bond is cocky and arrogant and has the chops to back up his
bravado. He gets the drop on "M" in her own home and uses
her log-in credentials to break into MI6's network, proving to his
boss that he's not just attitude, he's truly dangerous.
The
movie also includes what can be assumed to be the first time James
Bond ordered his trademark martini. Overhearing his formula for
slaking his thirst, three more guys at the poker table order likewise.
James
also meets Felix, his CIA counterpart, for the first time. Drives
an Astin Martin for the first time. And meets a woman that he genuinely
falls in love with for the first time. Vesper Lynd is that woman.
And their relationship makes this the most romantic Bond movie ever.
But
it's not just romance and first moments that make Casino Royale
a success. Director Martin Campbell along with screenwriters Paul
Haggis, Neal Purvis & Robert Wade strip away the silly gadgets,
corny one liners, gratuitous sex scenes, and ridiculous performances
by support characters and replace it with believable action, gritty
drama, and genuine, heart-wrenching suspense.
None
of which would have been possible without the stellar performance
of Daniel Craig. I heard grumblings of whether or not this guy could
be the next Bond. Too blonde. Too ugly. Too short. Craig has shut
everone's mouth. A quick review of Internet chatrooms and fan sites
reveals almost totally unanimous acceptance of Craig as the new
Bond. And I'm here to second that motion. Let's hope that Craig
gets to play this role for many years to come. But perhaps more
importantly, let's hope he continues to get excellent scripts and
direction in his future outing as 007.
And
this is an important point. Consider Roger Moore's history. When
he first played James Bond in Live and Let Die, he played
it totally straight and audiences loved him for it. And then for
some reason, the role became campier and campier until 8 years later
Moore was playing a total parody of himself in the comedy Cannonball
Run. And he still starred in three more Bond movies after that.
Similarly, I believe Pierce Brosnan's run as Bond was plagued by
inconsistencies in his scripts that had him playing hard core against
comedy with equal aplomb in each of his films.
It's
encouraging to see those entrusted with the Bond Legacy taking it
seriously for a change. I can't wait to see what they do next.
So,
what do you think? Agree? Disagree? Give
us your feedback.
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