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Too
Many Ads
by Mike-oh

In Marvel's next Civil War, the
heroes fight over who gets the most ad revenue for selling out to
the MAN.
Advertising
in Comics. I just finished reading this month's
Daredevil (issue 91) completely nauseated by the number of ads that
were included in this issue. Actually, it's not the number of ads
that bothered me as much as it was the relentless interruption they
caused in reading the story.
In
this issue of Daredevil, there were 22 story pages (that's standard
in the industry) along with 26 pages of ads (which varies from title
to title and publisher to publisher). As I said, my problem isn't
with the number of advertising pages, although more ads than story
seems wrong, especially when it's not lowering the price of the
comic, but we can come back to that point. My problem is that nearly
every single spread in the book (spread meaning two, side-by-side
pages) was divided between one story page and one ad. In other words,
it means that every single page is interrupted by an ad. And it
means that there are no big spreads of art or even layouts that
take advantage of the spread by overlapping panels onto opposing
pages or having the sequence of events stretch across a larger area.
It's the video equivalent of having to watch all of your movies
on an iPod size screen instead of in a movie theater.
In
this entire issue, there was only one spread of story pages. There
were, however four spreads of ads. That's one spread given to the
story that I paid to read and four spreads given to the ads that
are running in the middle of the story. Keep in mind, I'm not counting
the back cover or either of the inside cover panels. It's simply
outrageous.
Compare
this with DC's 52, issue 29, that came out the same day as Daredevil,
issue 91. In 52, there were the standard 22 pages of story with
only 18 pages of ads. What's more, there are 5 spreads (or 10 pages)
of the story, nearly half of the story, compared to three advertising
spreads. This is a much more acceptable ratio as far as I'm concerned.
Although I would much prefer other approaches that I've seen before.
In the past, Image Comics was very good at restricting their ad
space to the end of the comic book rather than allowing ads to be
placed in the middle of their stories. Dark Horse has followed the
same approach, oftentimes publishing issues completely devoid of
ads altogether.
The
complaint isn't about advertising. I don't have a problem with advertising.
I've worked as an art director for some of the largest advertising
agencies in the world. I like advertising. The complaint is about
the publishers. And right now, namely Marvel. To allow their great
stories, created by such amazing talents as Ed Brubaker and Michael
Lark, to be completely compromised by their greed for advertising
dollars, is an offense that should not go unpunished. I wonder how
Brubaker and Lark feel about having their creative accomplishment
ruined as it is. They should refuse to produce their work under
these conditions.
It
would be like the producers of the TV show, Lost, having their showtime
stretched to an hour and a half, still with only forty minutes of
the show but now with fifty minutes of advertising instead of only
twenty minutes. Commercial breaks would still fall every ten minutes
but now they would be twice as long with twice as many commercials.
The Lost producers would never stand for it. And neither would the
audience. The creators and fans of Marvel Comics should not take
this lying down. You can send a message to several of their creators
at MySpace, including:
Ed
Brubaker
Michael
Lark
Brian K Vaughn
Brian Michael
Bendis
Warren Ellis
Marvel
Entertainment
If you're not
outraged by all of this, you should be. The average comic book costs
$2.50 to $3.00 an issue. That's for 22 pages of story and somewhere
in the neighborhood of 18 - 16 pages of advertising. Compare that
with X-Box Magazine's newsstand price of $7.99 that includes a DVD
and about three to four times the printed content. Some issues sell
for as low as $4.99 at the newsstand. And consider Wizard Magazine.
Its cover price is only $5.99, has over 140 pages and often includes
complete issues of comics within those pages. Or WIRED Magazine's
$4.50 newsstand price for nearly 400 pages of content. Of course
all of these magazines cary advertising as a way to support their
expenses. My point is that the expenses for those monthly magazines
-- editorial and production costs -- must far outweigh the expenses
for producing a monthly comic book but they manage to keep their
prices low and their ads out of the main body of content. Magazine
ads appear in the front and back and are never found among the pages
of articles and content created by the magazine's key editorial
staff.
The
real danger in this is that it will errode comic book readership
at a time when comics are really making a comeback. You know they
are making a comeback becasue DC and Marvel are having no problem
convincing big brands to pay big bucks to buy space in the pages
of Daredevil and Justice League of America. It's not unlike back
in the seventies when comics were finally reaping the benefits of
Marvel's impact in the marketplace. Then comics were experiencing
a genuine wave of success. One that was supported by a wave of advertising
that choked out stories, encouraged cutrate creative content in
order to produce more titles, and discouraged readers because they
were being taken for a ride while Marvel and DC were laughing all
the way to the bank. Sound familiar? Let's hope things turn out
differently this time.
So,
what do you think? Agree? Disagree? Give
us your feedback.
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