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January Comics by Mike-oh
Here's a quick review of the comics I'm reading this month. Updated each week. Descriptions are pulled from Midtown Comics' web site (New York City's finest comic book shop). Editorial is what I write.


Week of January 31

52 Week #39
DC
Writer: Various
Artist: Joe Bennett

Description:
The New Year begins with the deadliest day Metropolis has ever seen — and by the end of the month a villain will stand revealed, a hero will fall in the outer reaches of the galaxy...and the reveal of Supernova will deepen his mysteries even further.
Plus, The Origin of Mr. Terrific by Mark Waid and Dave Johnson.

Editorial:
Natalie discovers Jake is really Hannibal and the real Jake is really half eaten. She also discovers that Lex Luthor has a mean super left hook. Steel ain't gonna be to happy when he finds out. The rest of the issue is a collection of short scenes that keep us up to speed on the other stories of 52.

Elephantmen #6
Image
Writer: Richard Starkings
Artist: Moritat, Dave Hine

Description:
"ABANDONED BY GOD" - The announcement of the marriage of Obadiah Horn to Sahara sparks a firestorm of controversy, and even their appearance on LIFE's morning show seems destined to end in disaster.
"THE LAST THING I REMEMBER" - Nikken's determination to create new life means that innocent African women must surrender their own lives; willingly or unwillingly.

Editorial:
Richard Starkings' and Dave Hines' The Last Thing I Remember is a touching and emotional story. Hines art is stylized and expressive. You might remember it as the only good thing that came out of Marvel's 198. The main story by Starkings and Moritat is terrific as well. Moritat's illustrations of Sahara are fetching. And Starkings has created a provocative tale about inter-racial (inter-species) marriage. It adds another layer to this socially aware science fiction epic.

The Vault of Michael Allred #4
AAA Pop Comics
Writer: Michael Allred
Artist: Michael Allred

Editorial:
I'm a huge fan of Michael Allred. His art is amazing to me. Naturally, I thrilled to this issue of his Vault. It's a great way to gain more personal insights into the artist. He shares his discussions with other artists as well as his thoughts about the characters he creates and the decisions he makes about his career in comic books. Add to all that a fantastic collection of art and The Vault is indeed a treasure trove.

Annihilation #6
Marvel
Writer: Keith Giffen
Artist: Andrea DiVito

Description:
Nova and Annihilus face off in a fight to the finish with the fates of two, count ‘em, two, universes at stake. You think that’s bad? Wait until you see what happens when Galactus decides to go to war. All this and Quasar! Need we add that after this issue, Marvel’s cosmic landscape will never be the same?

Editorial:
The final issue of Annihilation is a fantastic finale to this epic tale of truly cosmic proportions. Nova is established as a true super-hero. Galactus gets to show off his immense power. And Ronan is situated in an appropriate position of power within the Kree empire. It's a little unsettling to me though, to have Annihilus go from killed to reborn in just a few pages. The final reveal of his rebirth is the kind of thing that is saved for after the long credts at the end of a movie. Like Matrix Reloaded, Daredevil, or X-Men Last Stand.

Daredevil #93
Marvel
Writer: Ed Brubaker
Artist: Michael Lark

Description:
Matt Murdock returns to the streets of New York, to Hell’s Kitchen, to whatever is left of his life, and to face whatever he must to try to get it back. What is Matt’s future? What has happened in his absence, and what part does Kingpin play in all this? The only place you’ll find those answers is in the stunning conclusion to “The Devil Takes a Ride!”

Editorial:
I'm still reading this title. It's kinda hard to drop it with Brubaker and Lark both on it. I love both these guys. And this issue is another example of their greatness. Brubaker's story is extrememly sentimental and very effective. You can really feel the Kingpin struggling with his emotions. And the reunion between Matt and Foggy surpasses all my expectations. Lark's art is, as always, awesome. I partcularly like the picture of DD on the roof of their building at the end of the story. Bravo.


Week of January 24

52 Week #38
DC
Writer: Various
Artist: Shawn Moll

Description:
The New Year begins with the deadliest day Metropolis has ever seen — and by the end of the month a villain will stand revealed, a hero will fall in the outer reaches of the galaxy...and the reveal of Supernova will deepen his mysteries even further.
Plus The Origin of Red Tornado by Mark Waid and Phil Jimenez.

Editorial:
Egg Fu is one scary dude. And his four horseman are way cool. 52 picks up speed as it hits the final quarter. Renee is tortured by her commitment to saving The Question. Kudos to the art of Shawn Moll for his extremely believable depiction of Renee's plite in the frozen wilderness that separates her from Nanda Parbat.

Criminal #4
Icon
Writer: Ed Brubaker
Artist: Sean Phillips

Description:
Leo's attempt to make a deal goes badly, and the men on his and Greta's trail have made their move, leaving a path of death and destruction in their wake... And bringing Leo face to face with the violence that lurks deep inside his darkest places. What happens next will shock even him! Bonus--CRIMINAL promises more content than the average comic, with each issue packed from cover to cover with content, featuring a full length continuing story, as well as back-up stories and articles and DVD-style behind the scenes extras.

Editorial:
Ed and Sean really know how to screw things up. For their heroes, anyways. For us readers, they just screw us around. Criminal is a terrifically twisted and turning crime story that is leading crimeworld's most cautious criminal down a path to certain destruction. A path where his friends and family fall by the wayside because this path is as sharp as a razor. Before the story is finished, there might not even be room there for Leo.

Civil War: The Return One Shot
Marvel
Writer: Paul Jenkins
Artist: Tom Raney

Description:
As the Civil War rages, two of the universe’s greatest heroes are confronted with pasts they can’t leave behind in two heart-rendering tales. On Earth, the Sentry confronts his inner demons as the shadows of past and future battles tear him apart. Within The Negative Zone, the walls of 42, are pulled back to reveal the return of one of the Marveldom’s greatest heroes...now face-to-face with a Universe they no longer recognize.

Editorial:
This is classic greedy publishers screwing up a fun idea. The Return is a veiled reference to Marvel bringing back Captain Mar-Vell from the dead. To help build up the anticipation, Marvel had designed a blank white cover to commemorate the event and conceal the surprise that would be a bonus to the readers of Civil War. Of course, before any fun could be had with readers, Marvel decided to publish another cover with Captain Mar-Vell on the cover, thereby spoiling any surprise at all. Maybe they read the issue and decided that it sucked so bad (which it does) that it no longer deserved the bonus treatment. I just hope Marvel doesn't bone up the relaunch of this character as badly as they did this Civil War One Shot. Captain Marvel deserves the Hal Jordan treatment. Not this.

Doctor Strange: The Oath #4
Marvel
Writer: Brian K. Vaughn
Artist: Marcos Martin

Description:
Outside the hidden hospice of the vigilante caretaker known as Night Nurse, Doctor Strange takes on a terrifying new villain in the strangest battle of the Sorcerer Supreme’s career!

Editorial:
Vaughn and Martin are writing the book on reviving dead characters by breathing life back into what made them great to begin with. Martin's art is a nod of respect to Steve Ditko's original incarnation of the good doctor. But it's Vaughn's story that has recaptured everything compelling about the Sorcerer Supreme by making him more real and human. When Doctor Strange rebukes the Merrakant Hellguard when he bids him, "Welcome to New York City," it's like saying Doctor Strange is a New Yorker first and Sorcerer second. And that's the kind of perspective that's making this series a hit.

Eternals #6
Marvel
Writer: Neil Gaiman
Artist: John Romita Jr.

Description:
The double-sized finale of NEIL GAIMAN and JOHN ROMITA JR.’s epic! The Eternals face their mystery enemy at last. This issue will solidify the Eternals’ place in the Marvel Universe. Will they register? Guest-starring the Avengers!

Editorial:
Don't believe that description. This is issue 6 of 7. One more issue before it's over. The art has been John Romita's best. The story has been a little confusing. I'll have to go back and read it again once it's all over. But I am a little disappointed that the Civil War krept in. Enough is enough. That story doesn't have to invade every corner of the Marvel Universe.

X-Factor #15
Marvel
Writer: Peter David
Artist: Pablo Raimondi

Description:
Having a hard time accepting the idea of Jamie Madrox, Agent of S.H.I.E.L.D.? Well, that's nothing compared to what's going to happen when Jamie is captured by S.H.I.E.L.D.'s foremost opponents and is transformed into Jamie Madrox...Agent of Hydra! Plus...Siryn and Monet decide to go shopping and have a grand Mall seizure!

Editorial:
Peter David must be in an all-out contest with Warren Ellis, pitting his X-Factor against Ellis' Nextwave. Both writers have assembled completely charming casts and produced wildly entertaining stories full of surprises every issue. But I think Peter David is going to win this one unless Warren decides to lengthen the life of Nextwave beyond its twelfth issue finale.


Week of January 17

52 Week #37
DC
Writer: Various
Artist: Patrick Olliffe

Description:
The New Year begins with the deadliest day Metropolis has ever seen ? and by the end of the month a villain will stand revealed, a hero will fall in the outer reaches of the galaxy...and the reveal of Supernova will deepen his mysteries even further. Plus The Origin of Firestorm by Mark Waid and Jamal Igle.

Editorial:
If you haven't been reading 52, what were you thinking? This story has been one wild rollercoaster ride and it ain't over yet. The best part? When you have a crummy week for comics like this one, you would at least have 52 to read.

Spirit #2
DC
Writer: Darwyn Cooke
Artist: Darwyn Cooke

Description:
The Spirit is confronted by his old nemesis, P?Gell, who has designs on a wealthy member of an Arab royal family, Prince Farouk. P?Gell, quite possibly the sexiest seductress in comics history, uses her womanly wiles to achieve her ends ? as the Spirit does what he can to thwart her!

Editorial:
Will Eisner proved he was the master and his inspiration has fathered a wealth of talented successors. Warren Ellis, Grant Morrison, and Darwyn Cooke prove with every issue they write that it's possible make dense, exciting, dramatic, funny stories that begin and end between covers. The Spirit is such a marvelous creation, it s a joy to see it as alive and well in this century as it was in the last one. Thank you Will. And thank you Darwyn for continuing the legacy with so much respect for the character's past and so much vision for what his future holds.


Week of January 11

52 Week #36
DC
Writer: Various
Artist: Chris Batista

Description:
The New Year begins with the deadliest day Metropolis has ever seen — and by the end of the month a villain will stand revealed, a hero will fall in the outer reaches of the galaxy...and the reveal of Supernova will deepen his mysteries even further.
Plus The Origin of Green Arrow by Mark Waid and Tim Sale.

Editorial:
Little baby steps. There is so much story to tell about so many characters caught up in so much drama that many of these issues seem to be taking baby steps as they inch their way to their inevitable ending. It hasn't been bad but it certainly could have been better if the story had been divided into parts or chapters. With an entire year to tell stories in, why not tell more stories that begin and end, one after another? Instead of trying to build the suspense and drama across all 52 issues? Little baby steps this issue include a death of an older character, a last ditch effor to save the life of another, and a Kandor teaser.

Rush City #4
DC
Writer: Chuck Dixon
Artist: Timothy Green II

Editorial:
I probably should have stopped reading this series a couple of issues ago. I really liked the first one. And the second and third issues weren't too bad either. But I think three stories was all this character had in him. This issue has Rush chasing down the transexual twin and winner of the big money lotto before bad guys find him and steal the lotto ticket for themselves. Lame.

Tales of the Unexpected #4
DC
Writer: David Lapham - Brian Azzarello
Artist: Battle and Chiang

Editorial:
Batman tussles with the Spectre. It was bound to happen sooner or later. You don't go around killing people week after week in weird creepy ways without drawing the attention of the Dark Knight. Although I can't say Batman's role in this issue was anything more than an attempt to boost sales. Cheap trick for someone like the Spirit of God's Wrath. I don't know why cheap tricks are required when you've got Brian Azzarello and Dr. 13 on your side unless you consider that a cheap trick to create something that can compete with Warren Ellis' Nextwave. Bet you didn't think I'd notice, didja?.

Agents of Atlas #6
Marvel
Writer: Jeff Parker
Artist: Leonard Kirk

Description:
And now, the showdown that’s been building for 50 years: Jimmy Woo and his team go into the heart of the Atlas Foundation and face their oldest enemy. Prepare to learn secrets of The Human Robot and human civilization itself when you enter THE TEMPLE OF ATLAS!

Editorial:
Jeff Parker has created a cast of characters that become such quick friends to us readers, it's hard to imagine life without them now that this series is over. It reminds me of Stephen King's It. I remember feeling so disappointed that the adventures had reached their end. Saying goodbye to Stuttering Bill and the rest of the Losers Club felt like the final moments before boarding the bus home from summer camp. I can only hope that this six issue series is only the beginning and not the end of the Agents of Atlas.

Thunderbolts #110
Marvel
Writer: Warren Ellis
Artist: Mike Deadato Jr

Description:
Venom, lethal protector! The enigmatic Moonstone! Bullseye, the man who never misses! Songbird, mistress of sound! Chen Lu, the Radioactive Man! Swordsman, master of the blade! The mystery man called Penance! And Norman Osborn, the Green Goblin! They?re America?s newest celebrities, ready to take to the skies at a moment?s notice in pursuit of those secret, unregistered superhumans hiding among us! They?re the All-New, All-Deadly THUNDERBOLTS ? making the world a safer place for ordinary people one would-be costumed hero at a time! In the wake of CIVIL WAR, Warren Ellis and Mike Deodato present a dark and disturbing take on Marvel?s most wanted, where the line between hero and villain is difficult to find ? if it exists at all!

Editorial:
To tell you the truth (and I always try to tell you the truth) I bought this book for the cover. Leinel Yu's Venom is SWEET! Man, I love this guy's art. Then I opened it up and saw how Deodato had patterned his Norman Osborn after Tommy Lee Jones. That was pretty sweet, too. Maybe best of all is having anther great story written by Warren Ellis to surprise and astound us. Pick up Thunderbolts if you know what's good for you.


Week of January 4

52 Week #35
DC
Writer: Various
Artist: Phil Jimenez

Description:
The New Year begins with the deadliest day Metropolis has ever seen — and by the end of the month a villain will stand revealed, a hero will fall in the outer reaches of the galaxy…and the reveal of Supernova will deepen his mysteries even further.
Plus The Origin of Black Canary by Mark Waid and Howard Chaykin.

Editorial:
This issue raises the bar considerably for the remaining 17. Phil Jimenez' art is awesome. Superheroes are falling out of the sky all around and even on top of the good people of Metropolis as Luthor turns his back on it like so much bad weather. It's an awesome comic book moment brought to life by the skilled pencils of Jimenez. Unfortunately it only lasts for the first seven pages. But they're seven great pages.

All-Star Superman #6
DC
Writer: Grant Morrison
Artist: Frank Quitely

Description:
The All Star saga brings Superman back to Smallville to mourn the loss of his adoptive father. As Clark Kent returns to his hometown roots, the fifth Dimensional trickster investigates human drama from an entirely different perspective.

Editorial:
At the end of issue 5, Morrison and Quietly leave us hanging as Nasty, Lex Luthor's dominatrix clad sidekick, escorts Clark Kent through the underground sewers that flow beneath Luthor's prison cell. The words "To Be Continued" came down with a mighty thud on a series that had been maintaining a record for exciting, dense stories that had their beginning and, for all intents and purposes, their ending in the same issue. Now, I pick up issue 6 expecting to find out what happenes to Clark Kent, Lex Luthor, and Nasty. And what's up with Luthor having to draw on his left eyebrow. But Morrison and Quitely have decided not to let us off the hook yet. Instead, we are treated to a fanciful story of Superman dealing with the death of his adoptive father and a visit from a team of future Supermen. And then this issue ends with To Be Continued, also. I don't get it. But I will be sure to get the next issue. This is great stuff.

Superman #658
DC
Writer: Kurt Busiek
Artist: Carlos Pacheco

Description:
In a horrific future where heroes, villains and lunatics are fighting to the death for what’s left of the world, Superman finally returns! But can even he save the planet? And which threat from this future is coming back to haunt the past?

Editorial:
Kurt Busiek might be the most under-appreciated writer in comics. Not that he hasn't had a stellar career full to the brim with accomplishments. But it seems like all the buzz nowadays is for Morrison, Ellis, Vaughn, Azzarello, Whedon, Millar, and Metzler and everyone's forgotten what a fantastic pro Busiek really is. This is the guy that penned Kingdom Come and Astro City. And he's proving once again that he's not a writer to be trifled with as he spins the tale of Camelot Falls in the pages of Superman. Busiek's wildly entertaining story is complimented through and through by Carlos Pacheco's note-perfect rendition of Superman. I believe Pacheco's Superman is so perfect that he should be crowned the next Curt Swan and given art duties on Superman for the rest of his life.

Civil War #6
Marvel
Writer: Mark Millar
Artist: Steve McNiven

Description:
Captain America’s depleted forces have determined the secret of File 42, setting them on a last-ditch collision course with Iron Man and the Pro-Registration heroes! It’s the beginning of the battle of the century—a conflict in which virtually every superhuman on Earth will be forced to choose a side to fight on!

Editorial:
Twist. Twist. Twist. Mark Millar twists the knife in my guts a little more as he continues to unfold the core of his Civil War in slow, painful strokes. Twist. Our favorite heroes are torn apart and fighting brother against brother. Twist. The Punisher is allowed to join Captain America's team. Twist. The Punisher blows away a couple of people right in front of Cap and gets pounded by the good Captain. Twist. As Caps team breaks in on Tony's prison. Twist. As Iron Man's crew is lying in wait of Cap's crew. Twist. There is a traitor in Cap's camp. Twist. There's a traitor in Iron Man's camp. Twist. And he's set all of those super prisoners free. Mark Millar is so twisted.

Fantastic Four: The End #3
Marvel
Writer: Alan Davis
Artist: Alan Davis

Description:
Their family scattered to the four corners of a solar system quarantined from the rest of the universe, besieged by a number of their most relentless enemies, including the Super-Skrull, the Mole Man, Diablo, the Mad Thinker and the Kree Sentry, can the members of the Fantastic Four survive—and triumph?

Editorial:
Alan Davis and Alex Ross have at least two things in common. They're both great artists. And they both write the most convoluted stories. I've been enjoying this particular outing with Davis but by the time most writers are bringing the story in focus, Davis is continuing to expand the subplots until we're not really sure where it's all going or even how we got here. But Davis' art is like dating Jessica Simpson. Who really cares what she's saying as long as she's looking so fine.

Incredible Hulk #102
Marvel
Writer: Greg Pak
Artist: Carlo Pagulayan

Description:
Armies clash and titans smash as the Green Scar and the Red King throw down over Crown City! It’s the fight we’ve all been waiting for — after ten epic issues in the “Planet Hulk” saga, the Hulk and the Emperor finally meet again. But will this savage showdown between the Hulk’s rage and the Emperor’s ruthlessness lead to the liberation — or total destruction -- of the Hulk, his crew, and the people and planet of Sakaar?

Editorial:
The signs were all there before. And I had my suspicions. But now I feel fairly certain that we are reading the result of a carefully laid plan to recapture former Hulk glory. I can see the meeting at Marvel now. Someone, probably Tom Breevort said something like, "The Hulk has sucked forever. The last time this guy was interesting was back when he was making out with Jarella." And someone else in the room, probably Quesada, said, "Okay, let's write the Jarella story again." And everyone nodded and then they came up with the ingredient list: Hulk gets satched from present reality. Lands in harsh world. Never changes to Banner. Meets woman who sees the inner Hulk and they fall in love. The rest of the people in this strange world also appreciate the inner-Hulk and decide to make him their king. Just as soon as Hulk feels comfortable in this world, he gets snatched back to his former reality. It's that last part that hasn't happened yet. But mark my words, it's what's happening next. By the way, Ladrone's covers are freaking amazing.

Irredeemable Ant-Man #4
Marvel
Writer: Robert Kirkman
Artist: Phil Hester

Editorial:
I have a serious love-hate relationship with this book. Right now, I'm back to hate. I'm hoping it ends soon.

Iron Man: Hypervelocity #1
Marvel
Writer: Adam Warren
Artist: Brian Denham

Editorial:
Brian Denham was at Zeus Comics last Thursday signing his new Iron Man comic. Zeus was literally giving away issues for an hour during the lunchtime rush. I had to pick up a copy and I'm glad I did. I was very surprised by Denham's art. His Iron Man is cloaked in shadow with glimmering highlights and dazzling reflections that help tell the story about the world's most amazing technology that is wrapped around... Wait a minute... Who's this suit of armor wrapped around? You'll have to pick up an issue yourself to find out.

New Universal #2
Marvel
Writer: Grant Morrison
Artist:Salvador Larroca

Description:
The White Event. The most startling celestial phenomenon ever witnessed by the human race. While most humans are left to wonder its significance, a few have emerged from its wake as something more. Now, they must come to terms with their new existences…and survive a world that is struggling to come to terms with them.

Editorial:
If there was never a make believe world of super heroes and someone just up and imagined them one day, they might come to be like the television series, Heroes. Or even possibly like the superpowered people of Ellis' NewUniversal. In this world, there are no metahumans. Or at least there weren't before the White Event. But now there are. And they have amazing powers that don't have anything to do with bats, or spiders, or rhinos, or ancestoral curses, or super soldier formulas. Larroca gives Ellis' wild imaginings the perfect expression of unbridled power and chaotic energy to help make this story of new beginnings seem even more real and more plausible than that other one on television.

So, what do you think? Agree? Disagree? Give us your feedback.